5900 Princess Garden Parkway, 7th Floor
Lanham, Maryland 20706
U.S.A.
Company Perspectives:
Our strategy is to expand within our existing markets and into new markets that have a significant African-American presence.
History of Radio One, Inc.
Radio One, Inc. is the largest broadcasting company targeting African American audiences in the United States. The publicly traded company, based in Lanham, Maryland, owns and operates 70 radio stations, making it the seventh largest radio broadcasting company in the country. Major markets served include Atlanta, Baltimore, Boston, Cincinnati, Cleveland, Columbus, Dallas, Detroit, Houston, Los Angeles, Miami, Minneapolis, Philadelphia, St. Louis, and Washington, D.C. In addition, Radio One programs "XM 169 The Power" for XM Satellite Radio, and partners with Comcast Corporation on a cable television channel targeting African Americans. Radio One is majority-owned by founder Catherine Hughes, the company's chairperson, and her son Alfred C. Liggins III, who serves as president and chief executive officer.
Founder's Radio Career Beginning in the 1970s
Hughes was born Catherine Elizabeth Woods in Omaha, Nebraska, in 1947, the child of academically oriented, African American parents. Her father was the first African American to earn an accounting degree from Creighton University, her mother earned a master's degree in social work, and her mother's father founded Piney Woods Country Life School, a Mississippi private boarding school for African Americans. Hughes herself became the first African American to attend Omaha's Duchesne Academy of the Sacred Heart. Although as a child she was known to carry a transistor radio everywhere she went, she was a good student. When she was 16, however, Hughes became pregnant, at a time when there was a greater stigma attached to teenage pregnancy. After her mother kicked her out of the house, Hughes married the father of her child, Alfred Liggins, Jr., but they were divorced after two years and she had to raise her son on her own while finishing high school. She went on to college, with stints at Creighton and the University of Nebraska, Omaha, but she dropped out before receiving a degree to pursue a radio career. While attending college she took a job in 1969 with a black radio station in Omaha, KOWH, where she performed well at a number of tasks and came to the attention of Tony Brown, the founder of Washington, D.C.'s Howard University's School of Communication. He first took her on as an administrative assistant in 1971 but soon made her a sales director at the school radio station, WHUR-FM. Within two years she was named general manager of the station.
During her time at WHUR, Hughes developed a highly popular format called the Quiet Storm, a late-night show that played urban contemporary love ballads. She was frustrated that university officials would not license the concept to other stations, not believing that Quiet Storm possessed staying power. The station was wrong, as Quiet Storm would become a mainstay around the country, the most listened to nighttime radio format. In the word of Hughes, "They basically threw a million-dollar baby out the window." Moreover, the experience created a desire in her to find a way to gain total control of her ideas and career. In 1978 Hughes became president and general manager at a new Washington, D.C. gospel radio station, WYCB-AM. Her stay was short, just six months, but Hughes learned how to grow a station from scratch. She decided, along with her second husband, Dewey Hughes, to buy and operate her own radio station.
The couple cobbled together $100,000 from their savings and $450,000 from investors, including $300,000 from Syndicated Communications Inc. (Syncom), an African American-owned venture capital firm that invested in African American-owned media. Although an experienced broadcaster, Hughes was naive about many aspects of business. When Syncom principals Herb Wilkins and Terry Jones initially asked her about her business plan, Hughes replied, "My plan is to become successful in business." Although embarrassed, she succeeded in getting their support. But she still fell short of the money she needed and turned to the banks for a loan. She was rejected by more than 30 banks before a Puerto Rican female loan officer, during her first week at Chemical Bank Corp., agreed to lend her $600,000. In 1980 Hughes and her husband started Almic Broadcasting, which a decade later would become known as Radio One.
The new company paid $950,000 for a Washington, D.C. 1,000-watt AM station, WOL, which could be acquired cheaply because it had recently been involved in a payola scandal. Against the advice of her backers, Hughes converted WOL to a 24-hour talk and news format, the first of its kind aimed at an African American audience. Although in the long run, she would be proven correct that there was indeed a market for such a station, Hughes did not understand that the talk format was the most expensive to operate, and WOL struggled for years to turn a profit. Hughes and her husband soon had difficulty meeting the monthly debt payments. To keep the station afloat, the couple lost their house and car, and Hughes even sold a rare family heirloom, a white-gold pocket watch made by slaves, which fetched $50,000. Finally the station cost her her marriage. Hughes's husband insisted that she either move to California, where he hoped to break into the music business, or they get a divorce. She chose to file for divorce and bought out his share of the business.
Struggles in the 1980s
Hughes endured considerable hardship as she nurtured Radio One to profitability, though she also found the challenge exhilarating. She drummed up advertising by going door to door to area merchants, and kept creditors at bay by making sure to at least send in a token amount of money along with a note explaining her situation. She filled in at the station as much as possible, running the switchboard, and picking up talk show guests in an old Chevy Nova. She and her son began to live out of the office, cooking on a hot plate and showering at the homes of friends. In 1982, after she had run the station for 14 months, the bank insisted that she would have to begin playing music or face foreclosure. They eventually reached a compromise that allowed WOL to keep the morning drive as a news, talk, and information show, but the bank refused to pay a salary for the slot. To get around the stricture, Hughes became the unpaid host of the show. According to Broadcasting Cable, "In her days as a talk-show host, Hughes was a firebrand in Washington's black community. Politicians picked her show to make major pronouncements. She led the criticism against then mayor Marion Barry's imprisonment on drug charges and organized a much publicized protest against the Washington Post for featuring a black rapper accused of murder on its first cover. She refused a grant--Maryland's first to a minority owned company--to protest the General Assembly's plans to expel a black state senator accused of ethics violations. And she faced charges of anti-Semitism and prejudice against whites and Hispanics."
In 1986 WOL finally turned the corner and became a profitable station. In that same year, Hughes attempted to buy a second radio station, WKYS, by forming a "community corporation," which managed to raise only $500,000, an effort that fell short. In 1987 Hughes succeeded in adding another property, buying WMMJ for $7.5 million. It became Radio One's first FM station, and was also the first FM station on the East Coast to adopt an urban adult contemporary format. Once again Hughes had to contend with input from the banks that financed the deal. At their insistence, in an effort to attract a white audience, the station installed the Evergreen computer system that programmed the station with music from mainstream white artists such as Barbra Streisand, Barry Manilow, and Neil Diamond. After watching the ratings decline for some 18 months, Hughes pulled the plug on Evergreen and began to rebuild the station's audience.
By now Hughes was being assisted by her son, Alfred C. Liggins III, whom she had been grooming to become a hard-working entrepreneur since childhood. When he was just 12 years old she made him take a job cleaning rabbit cages at a pet store. After he graduated from high school, he wanted to get involved in the record business, but she convinced him it was a better idea to work for the family business that he could one day take over. Therefore, in 1985 he became a salesman for WOL, but he was paid no salary, forced to survive on commissions alone. As a result, he learned how to work with advertisers and found ways to drive their businesses while growing his own. In 1993 he succeeded his mother as chief executive, although she remained heavily involved as the company's chairperson. During the early 1990s she also retired from her daily talk show, which she had only taken on as a necessity.
Radio One benefited from legislation in 1992 that loosened ownership restrictions in radio. Under the so-called duopoly rule, you could now own two AM and two FM stations in the same market. At the cost of $4.7 million Radio One acquired Baltimore's WWIN-AM and sister station WWIN-FM from respected African American broadcaster Ragan Henry. A year later Radio One added two more Baltimore stations, WERQ-FM and WOLB-AM, for approximately $9 million. The company's acquisition strategy was simple yet effective: Buy underperforming stations on the cheap in the top 30 markets for African American listeners, then turn them around. By 1994 Radio One generated $17.6 million in revenues.
Radio One added to its portfolio of radio stations in 1995 with two purchases. It paid some $34 million for WKYS-FM, a Washington, D.C. station that the company had failed to buy in a 1990 attempt and resulted in the loss of a $200,000 deposit. Radio One also entered the Atlanta market with the $4.5 million acquisition of WHTA-FM. Revenues reached $23.7 million in 1996 and improved to $32.4 million a year later, and $46.1 million in 1998. Although the company posted net losses in two of those years, broadcast cash flow, an important measure in the industry, showed strong growth, improving from $9.8 million in 1996 to $13.5 million in 1997, and $21.6 million in 1998.
Ownership rules were loosened even further with the passage of the Telecommunications Act of 1996, which allowed ownership of more local stations and eliminated the cap on the number of stations a company could own nationally. Although Hughes expressed concerns that deregulation would lead to just a handful of companies controlling hundreds of radio stations, making it even more difficult for minorities and women to become owners, she also knew that if Radio One was to survive it had to continue to grow. During the second half of the 1990s the company went on an acquisition binge, adding stations and entering new markets. The company, in 1996, also moved its corporate offices from Washington, D.C., to the Maryland suburb of Lanham. In 1997 Radio One paid $20 million to buy WPHI-FM to enter the Philadelphia, Pennsylvania market. A year later the company completed several acquisitions, including the $3.8 million purchase of WYCB-AM, a Washington, D.C. station; two San Francisco stations at the cost of $22 million; the $26.5 million purchase of Detroit's WWBR-FM; and the $34.2 million acquisition of Bell Broadcasting Company, which brought with it three more Detroit radio stations. Furthermore, during 1998 the company began taking steps to go public, an idea that had been taking shape for several years.
Rapid Growth in the Late 1990s
It was a watershed year for Radio One in 1999. The company added a bevy of stations to its portfolio, including single operations in Atlanta, WAMJ-FM; St. Louis, WFUN-FM; and Boston, WBOT-FM. The company also bought a pair of Cleveland stations, WENZ-AM and WERE-AM, and three Richmond stations, WKJS-FM, WARV-FM, and WDYL-FM. To help finance these deals Radio One completed an initial public offering of stock in May 1999, underwritten by Credit Suisse First Boston, Bear, Stearns & Co. Inc., BT Alex. Brown, Banc of America Securities, and Prudential Securities. The company netted $172 million, the most ever by an African American company. Hughes also held the distinction of becoming the first African American woman to serve as chairman of a publicly traded company. Not only was the company able to pay down a considerable portion of its debt, it was now in a better position to borrow money under better conditions, and to use stock to make acquisitions and reward employees. Radio One soon returned to the markets for a secondary offering, grossing another $77 million.
The buying binge continued for Radio One in 2000. It paid $1.3 billion to Clear Channel Communications, the broadcast giant that needed to divest some stations because of antitrust concerns, to acquire 12 stations in six markets: Cleveland, Los Angeles, Houston, Dallas, Miami, and Greenville, South Carolina. Also in 2000 Radio One paid $40 million to acquire three Indianapolis radio stations and a low-powered TV station from Shirk Inc., as well as six radio stations in Charlotte, North Carolina, and Augusta, Georgia, from Davis Broadcasting for $24 million in cash and stock. Because of its broader footprint, Radio One was now able to offer package deals to advertisers looking to reach the urban market on a national basis. To handle this business, the company formed a small national sales staff operating out of Washington and Detroit. Because it was now emerging as a major player in the radio industry, Radio One also attracted the attention of ABC Radio Networks, which in 2001 established an alliance with the company and ABC's Urban Advantage Network (UAB), geared toward the African American market. By devoting some of its commercial time to UAN, Radio One increased its national penetration, and UAN was now able to reach 93 percent of the African American market.
The impact of adding 21 radio stations in 2000 was evident on Radio One's balance sheet. Revenues grew to $155.7 million in 2000, almost double the $81.7 million generated a year before. In 2001, with a full year of contribution from the new stations, that total grew to $243.8 million. Also during the year, Radio One bought 15 stations from Blue Chip Broadcasting Inc. for $135 million in cash and stock. New stations included one in Minneapolis, a pair in Cincinnati, three in Columbus, four in Dayton, and six in Louisville. In addition, Radio One adjusted the mix of its portfolio in 2001 by selling a few stations, including WDLY-FM in Richmond, WJMZ-FM and WPEK-FM in South Carolina, and WARV-FM in Virginia.
Not content to merely own and operate a string of radio stations, Liggins harbored a goal of building a media company with wider scope. Acquiring a low-powered television station with cable penetration was in keeping with this goal, as was striking a deal in 2002 with XM Satellite Radio Holdings Inc. to provide a channel on the nationwide subscription-based radio service. But Liggins's dream was to launch an African American targeted cable television station to rival Black Entertainment Network. In 1999 he had realized that while Hispanics had several channels, African Americans had just one station, BET, aimed at them. He began seeking partners and finally found one in Comcast Corporation. The two companies agreed to establish TV One L.L.C., a cable TV network, 40 percent owned by Radio One, that would target an older and more affluent age group than BET, 25-to-54. Whether TV One would begin a new chapter for Radio One, marking a seminal point in its growth as an African American media empire, remained to be seen, however.
Principal Subsidiaries: Bell Broadcasting Company; Radio One Licenses, L.L.C.; Satellite One, L.L.C.
Principal Competitors: Clear Channel Communications, Inc.; Cumulus Media Inc.; Infinity Broadcasting Corporation.
Related information about Radio
The transmission of sound signals through space by means of
radio-frequency electromagnetic waves. In 1888 the German physicist
Heinrich Hertz produced and detected radio waves, developing the
equations made by James Clerk Maxwell. Guglielmo Marconi
constructed a device to translate radio waves into electrical
signals, and in 1901 transmitted signals across the Atlantic Ocean.
Prior to World War 1, radio messages were sent between land
stations and ships, and between land and aircraft. In 1918, a
radiotelegraph message was transmitted from Wales to Australia.
Radio broadcasting became routinely available during the 1920s,
when such institutions as the BBC (1922) came into being. Since the
1920s, radio transmission has improved enormously. The introduction
of transistors (1948) and integrated circuits revolutionized
receivers, and higher radio frequencies have been introduced (for
example, FM or frequency modulation). The development
of stereo has proved particularly suitable for the broadcasting of
music. Both FM and AM (amplitude modulation) radio depend on
analog technology. Most radio broadcasters are now developing
digital audio broadcasting, which offers a higher quality of sound
and allows a massive increase in the number of radio channels that
can be fitted to the world's electromagnetic spectrum. Wavebands
for international communication now rely on satellites for
transmission. The clockwork or wind-up radio, commercially marketed
since 1996, has further revolutionized the scope of radio
broadcasting. Needing neither batteries nor electricity, its
power-source is an internal spring-driven generator powered by
hand, enabling people in remote parts of the world where affordable
energy is scarce to keep abreast of current developments.
portal
Radio is the wireless transmission of signals, by modulation of electromagnetic
waves with frequencies below those of light.
Radio waves
Radio waves are a form of electromagnetic radiation,
created whenever a charged object (in normal radio transmission, an
electron) accelerates with a frequency
that lies in the radio frequency (RF) portion of the electromagnetic
spectrum. In radio, this acceleration is caused by an alternating current
in an antenna. Radio frequencies occupy the range from a few
tens of hertz to three
hundred gigahertz, although commercially important uses of radio
use only a small part of this spectrum.The Electromagnetic
Spectrum, University of Tennessee, Dept. margin-top:
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ELF - SLF - ULF/VF - VLF - LF/LW -
MW - HF/SW - VHF - UHF - SHF - EHF
Electromagnetic radio spectrum
|
Other types of electromagnetic radiation, with frequencies above
the RF range, are microwave, infrared, visible light, ultraviolet, X-rays and gamma rays. Since the energy of an individual photon of radio frequency is too
low to remove an electron from an atom, radio waves are classified as non-ionizing
radiation. The word 'radio' is used to describe this
phenomenon, and television, radio, and cell phone transmissions are all
classed as radio frequency emissions. The word appears in a 1907
article by Lee de
Forest, was adopted by the United States Navy in 1912 and became common by
the time of the first commercial broadcasts in the United States in
the 1920s.
Invention
The identity of the original inventor of radio, at the time called wireless telegraphy,
is contentious. The controversy over who invented the radio, with
the benefit of hindsight, can be broken down as follows:
- Guglielmo
Marconi was an early radio experimenter and founded the first
commercial organization devoted to the development and use of
radio. Further refined as a lightning detector, he presented it
to the Russian Physical and Chemical Society on May 7,
1895.
- Reginald
Fessenden www.invent.org/hall_of_fame/59.html and
Lee de Forest
invented amplitude-modulated (AM) radio, so that more than one station can send
signals (as opposed to spark-gap radio, where one transmitter covers the
entire bandwidth of the spectrum).
- Edwin H.
Armstrong invented frequency-modulated (FM) radio, so that an audio signal can avoid
"static," that is, interference from electrical equipment and
atmospherics.
Early radios ran the entire power of the transmitter through a
carbon microphone. While some early radios used some type of
amplification through electric current or battery, until the mid
1920s the most common type
of receiver was the crystal set. In the 1920s, amplifying vacuum tube radio receivers and
transmitters came
into use.
Brief history
In 1893 in St. Louis,
Missouri, Tesla made
devices for his experiments with electricity. www.ieee-virtual-museum.org/collection/people.php?taid=&id=1234597&lid=1
The descriptions contained all the elements that were later
incorporated into radio systems before the development of the
vacuum tube. He
initially experimented with magnetic receivers, unlike the coherers
(detecting devices consisting of tubes filled with iron filings which had been
invented by Temistocle Calzecchi-Onesti at Fermo in Italy in
1884) used by Guglielmo Marconi and
other early experimenters. Tesla is usually considered the first to
apply the mechanism of electrical conduction to wireless practices.
In 1896 Marconi was awarded
the British
patent 12039,
Improvements in transmitting electrical impulses and signals and
in apparatus there-for, for radio. In 1897 he established the world's first radio
station on the Isle of
Wight, England.
Marconi opened the world's first "wireless" factory in Hall Street,
Chelmsford,
England in 1898,
employing around 50 people. Around 1900, Tesla opened the Wardenclyffe Tower
facility and advertised services. Tesla claimed that Wardenclyffe,
as part of a world system of transmitters, would have allowed
secure multichannel transceiving of information, universal
navigation, time synchronization, and a global location
system.
The next great invention was the vacuum tube detector, invented by a team of
Westinghouse engineers. On Christmas Eve, 1906, Reginald Fessenden
used a synchronous rotary-spark transmitter for the first radio
program broadcast, from Brant Rock, Massachusetts. Ships at sea heard a
broadcast that included Fessenden playing O Holy Night on the
violin and reading a
passage from the Bible.
The first radio news program was broadcast August 31, 1920 by station 8MK in Detroit, Michigan.
The first college radio station, 2ADD, renamed WRUC in 1940, began broadcasting
October 14, 1920 from Union College, Schenectady, New
York. The first regular entertainment broadcasts commenced in
1922 from the Marconi Research
Centre at Writtle, near
Chelmsford,
England.
One of the first developments in the early 20th century (1900-1959)
was that aircraft used
commercial AM radio stations for navigation. This continued until
the early 1960s when
VOR
systems finally became widespread (though AM stations are still
marked on U.S. aviation
charts). In the early 1930s, single sideband and frequency
modulation were invented by amateur radio operators. Radio was
used to transmit pictures visible as television as early as the 1920s. In 1954, Regency introduced a pocket transistor radio, the
TR-1, powered by a
"standard 22.5 V Battery".
In 1960, Sony introduced its first
transistorized radio, small enough to fit in a vest pocket, and
able to be powered by a small battery. In 1963 color television was commercially
transmitted, and the first (radio) communication
satellite, TELSTAR, was launched. In the late 1960s, the U.S. long-distance
telephone network began to convert to a digital network, employing
digital radios for
many of its links. In the 1970s, LORAN
became the premier radio navigation system. Soon, the U.S. Navy
experimented with satellite navigation, culminating in the invention and
launch of the GPS
constellation in 1987. In
the early 1990s, amateur radio
experimenters began to use personal computers with audio cards to
process radio signals. In 1994, the U.S. Army and DARPA launched an aggressive, successful project to
construct a software
radio that could become a different radio on the fly by
changing software.
Uses of radio
Many of radio's early uses were maritime, for sending
telegraphic messages using Morse code between ships and land. One of the most
memorable uses of marine telegraphy was during the sinking of the
RMS Titanic
in 1912, including
communications between operators on the sinking ship and nearby
vessels, and communications to shore stations listing the
survivors.
Radio was used to pass on orders and communications between armies
and navies on both sides in World War I; The United States passed on President
Woodrow Wilson's
Fourteen Points
to Germany via radio during the war.
Another use of radio in the pre-war years was the development of
detecting and locating aircraft and ships by the use of radar (RAdio
Detection And Ranging).
Today, radio takes many forms, including wireless networks,
mobile
communications of all types, as well as radio broadcasting. Read more
about radio's history.
Before the advent of television, commercial radio broadcasts included not
only news and music, but dramas, comedies, variety shows, and many
other forms of entertainment. For more, see radio
programming.
There are a number of uses of radio:
Audio
AM broadcast
radio sends music and voice in the Medium Frequency (MF?0.300
MHz to 3 MHz) radio spectrum. AM radio uses amplitude
modulation, in which louder sounds at the microphone causes
wider fluctuations in the transmitter power while the transmitter
frequency remains unchanged. Transmissions are affected by static
because lightning and other sources of radio add their radio waves
to the ones from the transmitter.
FM broadcast
radio sends music and voice, with higher fidelity than AM
radio. In frequency modulation, louder sounds at the microphone
cause the transmitter frequency to fluctuate farther, the
transmitter power stays constant. During unusual upper atmospheric
conditions, FM signals are occasionally reflected back towards the
Earth by the ionosphere, resulting in Long distance FM reception. FM receivers are
subject to the capture effect, which causes the radio to only receive
the strongest signal when multiple signals appear on the same
frequency. FM receivers are relatively immune to lightning and
spark interference.
FM Subcarrier services are secondary signals transmitted "piggyback" along with the main
program. In some countries, FM radios automatically retune
themselves to the same channel in a different district by using
sub-bands.
Aviation voice radios use VHF AM. (Use of FM would result in stronger stations
blocking out reception of weaker stations due to FM's capture effect). Aircraft
fly high enough that their transmitters can be received hundreds of
miles (kilometres) away, even though they are using VHF.
Marine voice radios can use AM in the shortwave High Frequency
(HF?3 MHz to 30 MHz) radio spectrum for very long ranges or
narrowband FM in
the VHF spectrum for much shorter ranges. Fidelity is
sacrificed to use a smaller range of radio frequencies, usually
five kHz of deviation,
rather than the 75 kHz used by FM broadcasts and 25 kHz used by TV
sound.
Civil and military HF (high frequency) voice services use shortwave radio to contact
ships at sea, aircraft and isolated settlements.
TETRA, Terrestrial Trunked Radio is a digital cell phone system
for military, police and ambulances. Commercial services such as
XM, WorldSpace and Sirius offer
encrypted digital Satellite radio.
Telephony
Cell phones
transmit to a local cell
site (transmitter/receiver) that ultimately connects to the
public switched telephone network (PSTN)
through an optic fiber or microwave radio and other network
elements. Satellite phones come in two types: INMARSAT and Iridium.
Video
Television sends
the picture as AM and the sound as FM, with the sound carrier a
fixed frequency (4.5 Mhz in the NTSC system) away from the video carrier.
Digital television uses quadrature
amplitude modulation. Although many current and future codecs
can be sent in the MPEG-2 transport stream container format, as of 2006 most systems use a standard-definition format
almost identical to DVD:
MPEG-2 video in Anamorphic
widescreen and MPEG layer 2 (MP2) audio. High-definition
television is possible simply by using a higher-resolution
picture, but H.264/AVC is being considered as a replacement video
codec in some regions for its improved compression. Loran systems also used
time-of-flight radio signals, but from radio stations on the
ground. VOR systems (used by aircraft), have an antenna array
that transmits two signals simultaneously. When the VOR station is
collocated with DME (Distance Measuring Equipment), the aircraft can
determine its bearing and range from the station, thus providing a
fix from only one ground station.
Radar
Radar (RAdio Detection
And Ranging) detects things at a distance by bouncing radio waves
off them. Some can superimpose sonar data and map data from
GPS position.
Search radars scan a wide area with pulses of short radio
waves.
Emergency services
Emergency Position-Indicating Radio Beacons
(EPIRBs), Emergency Locating Transmitters (ELTs) or Personal
Locator Beacons (PLBs) are small radio transmitters that satellites
can use to locate a person or vehicle needing rescue.
Data (digital radio)
Most new radio systems are digital, see also:Digital TV, Satellite Radio,
Digital
Audio Broadcasting. The oldest form of digital broadcast was
spark gap telegraphy,
used by pioneers such as Marconi. This is very wasteful of both
radio frequencies and power.
The next advance was continuous wave telegraphy, or CW (Continuous Wave), in
which a pure radio frequency, produced by a vacuum tube electronic
oscillator was switched on and off by a key. A receiver with a
local oscillator would "heterodyne" with the pure radio frequency, creating a
whistle-like audio tone. Strictly, on-off keying of a carrier
should be known as "Interrupted Continuous Wave" or ICW.
Radio teletypes
usually operate on short-wave (HF) and are much loved by the
military because they create written information without a skilled
operator. Microwave dishes on satellites, telephone exchanges and
TV stations usually use quadrature
amplitude modulation (QAM). A special bit pattern is used to
locate the beginning of a frame.
Systems that need reliability, or that share their frequency with
other services, may use "corrected orthogonal frequency-division
multiplexing" or COFDM.
Modern COFDM systems use a small computer to make and decode the
signal with digital signal processing, which is more flexible and
far less expensive than older systems that implemented separate
electronic channels. COFDM is used for WiFi, some cell phones, Digital Radio Mondiale, Eureka 147, and many other
local area network, digital TV and radio standards. Microwave ovens use
intense radio waves to heat food. The microwave frequencies used
are actually about a factor of ten below the resonant frequency.)
Diathermy equipment is
used in surgery for sealing of blood vessels. Induction furnaces are used for melting
metal for casting.
Conceptually, spacecraft propulsion: Radiation pressure from intense
radio waves has been proposed as a propulsion method for an
interstellar probe called Starwisp.
Other
Amateur radio
is a hobby in which enthusiasts purchase or build their own
equipment and use radio for their own enjoyment. Several forms of
radio were pioneered by radio amateurs and later became
commercially important, including FM, single-sideband AM, digital
packet radio and satellite repeaters.
Personal radio services such as Citizens' Band
Radio, Family Radio Service, Multi-Use Radio
Service and others exist in North America to provide simple,
(usually) short range communication for individuals and small
groups, without the overhead of licensing. Various plans included
transmitting power using microwaves, and the technique has been demonstrated.
These schemes include, for example, solar power stations in orbit
beaming energy down to terrestrial users.
Radio remote
control use sof radio waves to transmit control data to a
remote object as in some early forms of guided missile, some
early TV remotes and a range of model boats, cars and
aeroplanes. Large industrial remote-controlled equipment such as
cranes and
switching locomotives
now usually use digital radio techniques to ensure safety and
reliability. Energy autarkic
radio technology consists of a small radio transmitter powered
by environmental energy (push of a button, temperature differences,
light, vibrations, etc.).
See also
- Satellite
radio
- Invention
of Radio
- Radio
propagation and ionosphere
- Radio
programming
- Old-time
radio
- Music
radio
- Pirate
Radio
- Radio
commercial
- International broadcasting
- Amateur
radio
- Hospital
radio
- Army
No. 11 Wireless Set
- Shortwave
- Mediumwave
- Longwave
- Near Vertical Incidence Skywave
- Transistor
radio
- Crystal
radio receiver
- Software
radio
- Internet
radio
- Types
of radio emissions
- Dead
air
- Radio
astronomy
- Tuner
(radio)
- Long-distance FM
reception (FM DX)
- VFO
- Hertz
-
Lists
- Radio
network
- List of radio stations
- List of Internet stations
- List of radio broadcasters who also do
podcasting
References
- Leigh White, Buck Fuller and the Dymaxion World
(refers to Waldo Warren as the inventor of the word
radio), in: The Saturday Evening Post, 14 October 1944,
cited in: Joachim Krausse and Claude Lichtenstein (eds.), Your
Private Sky, Lars M端ller Publishers, Baden/Switzerland, 1999,
page 132.
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